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DI Colorist & Workflow Program
Description
Course Curriculum
Walkthrough of Color Interface
Importing of EDL, XML, & Footages
Conforming the timeline, with online footage
using XML & Offline
Matching Cuts, Transitions, Rendering the data
into multiple formats
Round Tripping from Fcp to Baselight & Davinci Resolve
Understanding different Raw Format & Project Setting
for Camera’s like Red, Arri, Bmd, Canon, Sony
Conforming Process both Manual & with EDL/XML
Online Editing using available tools
Online Editing using available tools
Understanding how to read different scopes like Parade,
Vectorscope, Histogram & Waveform
Process of Primary Colour Correction
White Balancing the shots
Understanding the process of Additive & Subtractive Grade
Starting with Film & Base Grade as well as
Printer Light Correction
RGB, Exposure Offsets & Pre-gain Correction
Secondary Colour Correction
Understanding different colour nodes
Log Grading
Using RGB Curves
Advanced Curve Grades
RGB & HLS Qualifiers
Beauty Work
We cover both Creative & Technical Aspect
of Color of Color Grading
Our Flagship DI Color Grading Course
Course Fee
Adding in Film Grain
Using Look Up Tables ( LUTS )
Exporting Colour grade as Luts
Creating & Designing Colour Looks
Temporal De-graining of content with noise issues
Colour matching shot to shot for whole scenes
Output Blanking and Mastering different resolutions
Render Out process for Censor as well as
Theatrical & Web release
Understanding the Process of Monitor Colour Calibration
Setting up a collaborative workflow using Davinci Resolve
Working with OFX Plugins
Career Options
DI Colorist – Short Films and Ad Films
DI Colorist – Feature Films
On Location – Color Supervisor
Digital Cinema Support Engineer
Projects
3D Advance
3D Essentials
3D Visualization Foundations
Cinematography
DI Colorist & Workflow Program
Digital Compositing
Introduction to Video Editing
VFX Professional
Virtual Production